Roundtrip Rio de Janeiro

As you’ll be able to appreciate when you cruise the Atlantic Ocean with MSC Cruises, in its position on the southern shore of the magnificent Guanabara Bay, Rio de Janeiro has, without a shadow of a doubt, one of the most stunning settings in the world.

Extending for 20km along an alluvial strip, between an azure sea and forest-clad mountains, the city’s streets and buildings have been moulded around the foothills of the mountain range that provides its backdrop, while out in the bay there are many rocky islands fringed with white sand.
The aerial views over Rio are breathtaking, and even the concrete skyscrapers that dominate the city’s skyline add to the attraction. As the former capital of Brazil and now its second-largest city, Rio has a remarkable architectural heritage, some of the country’s best museums and galleries, superb restaurants and a vibrant nightlife – in addition to its legendary beaches. A shore excursion on your MSC South America cruise can be the opportunity to visit the Pão de Açúcar.
The Sugar Loaf Mountain rises where Guanabara Bay meets the Atlantic Ocean. Its name may simply reflect a resemblance to the moulded loaves in which sugar was once commonly sold. Alternatively, it may be a corruption of the indigenous Tamoya word Pau-nh-Açuquá, meaning “high, pointed or isolated hill”. On the top of Corcoavado Mountain instead the Art Deco statue of Cristo Redentor (Christ the Redeemer), arms outstretched in welcome, stands 30m high and weighs over 1000 tonnes. It was supposed to be completed for Brazil’s centenary independence celebrations in 1922, but wasn’t actually finished until 1931.
In clear weather, fear no anticlimax: climbing to the statue is a stunning experience, with the whole of Rio and Guanabara Bay laid out before you.

Copacabana is dominated to the east by Sugar Loaf Mountain and circled by a line of hills that stretch out into the bay as you’ll see when you’re cruising the Atlantic Ocean with MSC Cruises.

The town’s expansion as a residential area has been restricted by the Morro de São João, which separates it from Botafogo, and the Morro dos Cabritos, a natural barrier to the west. Consequently, Copacabana is one of the world’s most densely populated areas as well as a frenzy of sensual activity.
Of course, Copacabana hasn’t always been as it is today, and traces remain of the former fishing community that dominated the area until the first decades of the twentieth century. Each morning before dawn, the boats of the colônia de pescadores (the descendants of the fishermen) set sail from the Forte de Copacabana, returning to the beach by 8am to sell their fish from stalls at the southern end of the beach. Rio’s sophisticated beach culture is entirely a product of the twentieth century.
The 1930s saw the city’s international reputation emerge and “flying down to Rio” became an enduring cliché, celebrated in music, film and literature. Nonetheless, Rio’s beaches are first and foremost the preserve of cariocas: rich or poor, young or old, everybody descends on the beaches throughout the week, treating them as city parks. Copacabana is amazing, the over-the-top atmosphere apparent even in the mosaic pavements, designed by Burle Marx to represent images of rolling waves.
The seafront is backed by a line of prestigious, high-rise hotels and luxury apartments that have sprung up since the 1940s. Some fine examples of Art Deco architecture are scattered around the bairro.

Copacabana is dominated to the east by Sugar Loaf Mountain and circled by a line of hills that stretch out into the bay as you’ll see when you’re cruising the Atlantic Ocean with MSC Cruises.

The town’s expansion as a residential area has been restricted by the Morro de São João, which separates it from Botafogo, and the Morro dos Cabritos, a natural barrier to the west. Consequently, Copacabana is one of the world’s most densely populated areas as well as a frenzy of sensual activity.
Of course, Copacabana hasn’t always been as it is today, and traces remain of the former fishing community that dominated the area until the first decades of the twentieth century. Each morning before dawn, the boats of the colônia de pescadores (the descendants of the fishermen) set sail from the Forte de Copacabana, returning to the beach by 8am to sell their fish from stalls at the southern end of the beach. Rio’s sophisticated beach culture is entirely a product of the twentieth century.
The 1930s saw the city’s international reputation emerge and “flying down to Rio” became an enduring cliché, celebrated in music, film and literature. Nonetheless, Rio’s beaches are first and foremost the preserve of cariocas: rich or poor, young or old, everybody descends on the beaches throughout the week, treating them as city parks. Copacabana is amazing, the over-the-top atmosphere apparent even in the mosaic pavements, designed by Burle Marx to represent images of rolling waves.
The seafront is backed by a line of prestigious, high-rise hotels and luxury apartments that have sprung up since the 1940s. Some fine examples of Art Deco architecture are scattered around the bairro.

Ilhéus is a city on the banks of the Cachoeira and Almada Rivers, in the eastern Brazilian state of Bahia. It’s known for its colonial architecture and beaches, including Millionaires Beach in the south, lined with palm trees and food stalls. A Christ statue watches over central Christ Beach. Praia da Avenida beach skirts the center, offering views toward the striking spires of 20th-century St. Sebastian Cathedral.

High above the enormous bay of Todos os Santos (All Saints), where your MSC cruise ship awaits your return, Salvador de Bahia has an electric feel from the moment you arrive.
This is the great cultural and historical centre of Brazil, where Afro-Brazilian heritage is strongest and where capoeira, candomblé and samba de roda were created.
MSC South America cruises offer excursions to the centro histórico of this magical place, a melange of narrow cobbled streets, peeling purple walls, grand Baroque churches, kids kicking footballs, rastas, locals sipping bottled beer on plastic chairs, the wafting aroma of herbs and the almost constant beating of drums, especially as the sun sets. Beyond the old town Salvador is a vast, sprawling city, with a vibrant beach life, modern skyscrapers and plenty of favelas.
The centro histórico is the traditional heart of Salvador; it’s built around the craggy, 70m-high bluff that dominates the eastern side of the bay, and is split into upper and lower sections. Cidade Alta (or simply “Centro”) is strung along its top, linked to the less interesting Cidade Baixa (the old commercial centre, aka “Comércio”) by precipitous streets and the towering Art Deco lift-shaft of the Elevador Lacerda. Cidade Alta is the cultural centre of the city, and the section known as the Pelourinho is the groovy old district with colourful and hilly winding streets, its most vibrant and beguiling neighbourhood.
The best spot to begin a walking tour of the city is at the Praça Municipal, the square dominated by the impressive Palácio do Rio Branco, the old governor’s palace which was in use until 1979. The fine interior is a blend of Rococo plasterwork, polished wooden floors and painted walls and ceilings.

On a peninsula north of Cabo Frio, Armação dos Búzios, or just Búzios, is an immensely scenic resort full of high-spending beautiful people, and a very popular port of call on holidays to Brazil with MSC Cruises.
Armação, the main settlement, is built in a vaguely colonial style, its streets lined with restaurants, bars and chic boutiques, and has been nicknamed “Brazil’s St Tropez”. It comes then as little surprise to find that it was “discovered” by none other than Brigitte Bardot, who stumbled upon it while touring the area in 1964.
Búzios consists of three main settlements, Manguinos, Armação and Ossos, each with its own distinct character. Manguinos, on the isthmus, is the main service centre, with a tourist office, a medical centre and banks. Midway along the peninsula, linked to Manguinos by a road lined with brash hotels, is Armação, an attractive village where cars are banned from some of the cobbled roads.
Most of Búzio’s best restaurants and boutiques are concentrated here, along with some of the resort’s nicest pousadas, or inns, and there’s also a helpful tourist office on the main square, Praça Santos Dumont. When you step ashore from your MSC cruise, a fifteen-minute walk along the Orla Bardot – which follows the coast from Armação, passing the lovely seventeenth-century Igreja de NossaSenhora de Sant’Ana on the way –, brings you to Ossos, the oldest settlement, comprising a pretty harbour, a quiet beach and a few bars, restaurants and pousadas.
Within walking distance of all Búzios’ settlements are beautiful white-sand beaches – 27 in total – cradled between rocky cliffs and promontories, and lapped by crystal-clear waters. The beaches are varied, with the north-facing ones having the calmest and warmest seas, while those facing the south and east have the most surf.

As you’ll be able to appreciate when you cruise the Atlantic Ocean with MSC Cruises, in its position on the southern shore of the magnificent Guanabara Bay, Rio de Janeiro has, without a shadow of a doubt, one of the most stunning settings in the world.

Extending for 20km along an alluvial strip, between an azure sea and forest-clad mountains, the city’s streets and buildings have been moulded around the foothills of the mountain range that provides its backdrop, while out in the bay there are many rocky islands fringed with white sand.
The aerial views over Rio are breathtaking, and even the concrete skyscrapers that dominate the city’s skyline add to the attraction. As the former capital of Brazil and now its second-largest city, Rio has a remarkable architectural heritage, some of the country’s best museums and galleries, superb restaurants and a vibrant nightlife – in addition to its legendary beaches. A shore excursion on your MSC South America cruise can be the opportunity to visit the Pão de Açúcar.
The Sugar Loaf Mountain rises where Guanabara Bay meets the Atlantic Ocean. Its name may simply reflect a resemblance to the moulded loaves in which sugar was once commonly sold. Alternatively, it may be a corruption of the indigenous Tamoya word Pau-nh-Açuquá, meaning “high, pointed or isolated hill”. On the top of Corcoavado Mountain instead the Art Deco statue of Cristo Redentor (Christ the Redeemer), arms outstretched in welcome, stands 30m high and weighs over 1000 tonnes. It was supposed to be completed for Brazil’s centenary independence celebrations in 1922, but wasn’t actually finished until 1931.
In clear weather, fear no anticlimax: climbing to the statue is a stunning experience, with the whole of Rio and Guanabara Bay laid out before you.